Category: ballroom



Written by Dani Edmonson Filed Under VIP Jackson Magazine

 

“When the music is good, I just have to dance,” says Melissa DiFatta, an attorney with the Mississippi Children’s Home Services.

Years ago while living in Pascagoula, a friend suggested they take some dance lessons to learn a few new moves, and their social life came to revolve around music and dance.

Later, she met Tony DiFatta and when they graduated to fiancé status, they took more dance lessons. “The two-step and jitterbug are always useful in a bar or nightclub,” she explains.

Several more years passed, and when Dancing with the Stars began to air on television, “I was dying to dance,” she exclaims, so she and her artist husband took more classes to learn an entire dance. They loved it.

“What I love about it is using my mind. I can use a combination of moves and hit them just right with the music. It’s a terrific workout, and I love the way I feel when I move to music,” DiFatta says.

Margee Wohner lives and breathes a combination of art and fitness. She dances at Ballet Mississippi in Jackson and Dance Connection in Pearl, both for fun and exercise. “I take classical ballet at Ballet Mississippi and ballroom dance at Dance Connection,” she said. Wohner shares her love of dance with her husband, Collins. “My husband takes ballroom and salsa dance with me, and I am fortunate he has a desire to dance, too,” she added.

Dance Connection, run by husband and wife Lisa and Mike Day, offers social dancing classes. Mike has been teaching dance since 1982 and met Lisa at a studio, proving the social benefit to the pursuit. Mike promotes the fitness benefits, as well. “Social dancing has been proven to manage dementia because you are constantly thinking and changing directions and challenging muscles to get where you want to go and not bump into someone else,” he said. He said dancing is much more interesting than walking on a treadmill for 45 minutes. “When dancing, you constantly have new moves to learn, which requires thinking. It is so much fun and effective.” In fact, he said, “I had a student yesterday tell me it was much better than going to the gym.”

He concluded, “The most difficult steps in dance are the ones coming in the door.”

At 54, Wohner is neither the youngest nor the oldest in her exercise and dance group. “We have dancers from their teens to their seventies,” she said. Although new people come and go, she said there is a core group that never misses a class. “Some are professionals; some have always wanted to take ballet and learning technique for the first time, and some have danced since they were 5 and are thrilled they can continue this training as an adult,” she said.

Having enjoyed dance at a younger age, Wohner missed it in adulthood and rediscovered her love through Ballet Mississippi. “It’s fun to have dance back in my life. Dance is for everyone. It keeps you fit, and the challenge of learning the technique is fun in any style of dance,” she added.

Ballet Mississippi Artistic Director David Keary emphasizes that ballet is an art, not a sport, but it still has numerous health benefits. “It lowers blood pressure, you lose weight in a normal fashion, and it’s a great stress reducer,” he said. He has worked with professional athletes who were blown away at the intensity of the training involved. “One athlete told me that this was harder than any two-hour work out he knew of.”

Kay Martin, 67, is another student of Ballet Mississippi under Cherri Barnett, associate artistic director and instructor. Martin said, “Each student is at a different ability level in class, but Cherri does a wonderful job of making us all feel comfortable.”

It is no wonder Cherri has that effect on her students. She danced professionally for a decade, and in 2007 joined the staff of Ballet Mississippi with a fierce determination to lure new and veteran dancers back in the studio. Her plea is, “Go back to the barre. Don’t be someone who used to dance.”

Catherine Bishop has been a fitness instructor for nearly a decade. She teaches both Pilates and ballet fitness at the Baptist Healthplex in Belhaven. “We use the term ‘ballet’ in describing the class because there are a few warm-up, stretch and balance moves that are similar to those used in ballet training.” She encourages fitness-minded people to consider taking the class because it is a complete workout using muscle groups you might not use in a standard fitness class. “It is just very important to switch up your workouts,” she said. “Do not replace a class with this one. Simply add it to your workout week.”

Salsa Mississippi Studio and Club in Fondren is another option for the adventurous dancer. In a club environment, they offer dance classes for salsa, hip-hop, the flamenco, tango, foxtrot and break-dancing among many other exhilarating options. Co-owner Himanshu Dave said that they really promote salsa because, “No matter where you go in the world, you can find a place to dance the salsa.” He added that the studio creates an environment to make people unfamiliar with dance feel safe in trying something new and leaving having a new skill, new friends and a new love for dance. “Salsa or Latin dance is an uplifting, low-impact cardio activity for an hour, non-stop. You are really working it out,” he said. For those who don’t think they have what it takes, their motto is, “If you can walk, you can dance.”

Jim Frechette, owner of the Applause Dance Factory in Ridgeland, says ballroom dancing is all about fitness, friends and fun. “Ballroom dancing is a very fun hobby that is a great form of exercise. What could be more fun than to go out for the evening and get your exercise while dancing at a party and socializing with friends, meeting new people, maybe that special person?”

Frechette, 51, began his training at a Fred Astaire dance studio in Virginia Beach, Va., in 1989. “I have trained with many teachers, coaches and world champions over the years, but there is always more to learn.”

Frechette’s students range in age from teens to those who are in their eighties. He said the goals of every student differ. “We have new people coming and going all the time. Most of them have short-term goals: Learn to dance for a wedding, prom or high school reunion. Then we have the long-term students for which dancing has become a hobby,” he said. “We have a very loyal group of dancers in their mid-to-late 70s who could easily be mistaken for 50- or 60-year-olds. Dancing really does keep you young.”

Married 58 years, Barbara and Philip Reeves, 76 and 78, respectively, of Jackson are two of Frechette’s students who swear by dancing’s fountain-of-youth benefits. They have trained under Frechette for 14 years, and it all began with a simple Valentine’s gift. “My wife was brought up dancing, but I always had two left feet, so we didn’t dance much,” Mr. Reeves said. “So on Valentine’s Day in 1999, I gave Barbara a card that offered ballroom dancing lessons. She nearly flipped!” he laughed. It was not an easy process for Philip, but they stuck to it because they realized it was something they could do as a couple. “It’s better than eating a bunch of fried catfish and watching TV,” he said.

Philip had bypass surgery in 2000, and a recent check-up reports he is in excellent health. “The first thing my doctors ask me, when I see them, is if I am still dancing,” he said. “We all agree it’s great exercise and that I should keep it up.” Philip said he knows a person with Parkinson’s disease who dances and is determined dance helps with the symptoms because it works both the body and the mind.

Barbara Reeves admits she suffers from depression and that dance has been a major factor in combating the illness. “When I dance, it lifts my spirits a lot and gives me a good mental outlook. We look forward to it every Friday night,” she said. In addition to feeling happier, Barbara said they both have maintained their weight, have good blood pressure and very good balance for people their age.

Frechette touts the physical benefits as abundant. “Ballroom dancing is a fun, low-impact activity that tones and strengthens muscles while burning 200-450 calories per hour. It also improves flexibility, coordination, endurance, balance and posture. Dancing can also slow age-related muscle and bone loss, build strong bones and improve joint function,” he said. It can also improve one’s state-of-mind. “Ballroom dancing builds confidence and self esteem, reduces tension and promotes emotional self-renewal. The social aspect of ballroom dancing can relieve loneliness and depression and enhance your mood. It’s been said that it is impossible to be depressed while dancing.”

Go ahead, put your little toe on a dance floor. Your whole body will thank you.

Applause, Applause


Applause, Applause

Jim Frechette and Valerie Miller of Applause Dance Factory

© Jesse Worley/The Herald


Dance instructors Jim Frechette and Valerie Miller take a timeout from teaching to dance together at the Applause Dance Factory in Ridgeland.


Classes offered

Tap
Jazz
Latin
Lyrical
Ballet
Pointe
Swing
Ballroom
Hip hop
Acrobatics
Cheerleading
Country & Western
Creative movement
Competition dance

RIDGELAND |    If Jim Frechette had not become a dancer, he would probably be working on computers or tinkering with electronics right now.

But the 41-year-old owner of The Applause Dance Factory on Industrial Drive in Ridgeland believes he has found his artistic calling.

For the past 12 years, Frechette has been teaching dance classes to local students. His life proves that things don’t always happen the way you plan.

After graduating from high school in Forest, the New Jersey native decided to enroll in college and study electronic engineering.

When he couldn’t come up with enough money to pay for tuition, he joined the Navy to continue his educational pursuits. But during his stint as a military man, Frechette became interested in another field of study.

Influenced by his mother, who had begun taking a variety of dance classes, Frechette decided that he, too, would begin to learn the art form.

“When I got out of the Navy, everyone was an electronic technician,” said Frechette, who began searching the Virginia Beach, Va., classifieds for employment. When he couldn’t find any openings under the letter “E” for “electronics,” he looked further down the page and discovered that “dance instructors” were needed under “D.”

“I had already taken dance classes, so I decided to start training with the Fred Astaire School of Dance,” he said. “At the time, when I started, I was very shy and had been that way all my life.”

While a career in electronics appealed to Frechette’s shy nature and was something he saw as a quiet, comfortable occupation, dancing was a career he knew would help bring him out of his shell.

“What I like about dancing is that it has a structure to it and a person only has to know the basic steps to do it well,” he said. “It never gets boring because there are more varieties that you can learn.”

Frechette was an instructor at three locations in Madison County prior to purchasing Applause four years ago. The dance studio offers classes five nights a week and has one afternoon session for senior citizens sponsored by the Ridgeland Recreation and Parks Department.

Ballet, tap, jazz, lyrical, pointe, hip hop, acrobatics, cheerleading, creative movement, competition dance, ballroom, Latin, swing and country and Western are all offered.

“The most popular things right now are the Latin dances,” said Frechette, who offers bolero, rumba, cha cha and salsa. “Everyone seems to be interested in that.

“Salsa is the one we hear about a lot right now. It’s a modern take on an older dance called mambo.”

Said Frechette: “The tango is dramatic and people love to watch it. Shakira did a song called ‘Obsession Tango.’ At the beginning, it had tango music, but the rest wasn’t.”

Swing is also very popular and Frechette said it can be done without acrobatics and stunts.

Students, who range in age from 3 to 90-something, are enrolled at Applause. They perform at different charity events throughout the year and compete in dance competitions.

Jo Ann Heath became an Applause student two years ago. Her husband, Charlie, eventually followed her lead.

“I started a few years before he did never thinking he would ever get there, but he is loving it is as much as I am now,” she said.

Learning to dance is something Heath had always wanted to do, so after seeing an ad for a Thursday afternoon seniors dance group, she felt there was no time like the present to pursue a new hobby.

“I decided I would give it a try,” she said. “I have just thought, I don’t know how many times, that is the best thing I have done. I wish I had done it years ago.

“It’s absolutely the most joyous thing I have ever done and it is hard to put into words how wonderful it is. It has meant the world to me.”

Barbara Thames is the Heaths’ ballroom dance instructor.

“I was introduced to it in New Orleans almost 20 years ago,” said Thames, who keeps notes on all her students the same way a physician would his patients. “This is just about the only activity for exercise that you can do well into your 90s.”

Valerie Miller, another Applause instructor, has been Frechette’s professional dancing partner for four years.

“I started competing when I was 18 or 19 years old in the disco era,” she said. “I had a partner in Michigan for three years.”

Miller moved from disco into jazz and ballet, and when she came South, she decided to begin taking ballroom dance classes, which she has done for the past nine years.

Other instructors include Sandee Raker, Martin Bozone and Dave Swope.

Applause offers private lessons, group classes and dance parties every Friday night for all students. Guests are also welcome.

“A lot of people take jobs just to make a living and they can’t wait to get out of work to go do something else,” said Frechette. “Dancing is a recreation of mine as well as a career.”


For more information about dance classes Frechette can be reached at 856-6168.


Real Men Aren’t Afraid Of Ballroom Dancing

Anybody who still believes the myth that ballroom dancing is for sissies has either been living under a rock or is simply using that as an excuse for their own fears.

Emmitt Smith of Dallas Cowboys fame, and former Superbowl Champion, waltzed away Wednesday night with another winning trophy to place on his mantel, this one the championship Mirror Ball Trophy from ABC’s “Dancing with the Stars”.

I am so proud of this man for shattering all the stereotypes, and offering a resounding response once and for all to the age old question: what type of man learns ballroom dancing? The answer….a REAL man!

There can surely be no question as to this man’s virility, nor his confidence in himself. Not only did he plunge wholeheartedly into unfamiliar waters, but he chose to do it on nationwide television, in front of millions of viewers. How many men (or women, for that matter) have the guts to do that?

I’ve heard all the whiny excuses for not taking ballroom dancing lessons…I’ve got two left feet….dancing is for sissies….I don’t have time to learn something new….what good does it do to know how to dance, I’ll never compete…I’ll look stupid….I’m no good at it…I don’t like it….it’s too expensive…and on and on ad nauseum. It doesn’t matter the words they choose, they’re all saying basically the same thing…”I lack confidence in myself and I’m scared”. How terribly, pathetically sad.

Knowing what I know about ballroom dancing, there simply is no excuse for not learning. I’ve seen men without legs on the ballroom dance floor. I’ve watched macho types, geeky types and overweight men move with grace as they executed a beautiful promenade. I’ve known men who took on odd jobs to pay for continued lessons. I’ve witnessed men literally dragged into the studio against their will and watched with pride as they developed into, not just great dancers, but one even went on to become a phenomenal instructor. How much they all would have missed if they had let their fears keep them from trying.

There are many things in this world to be afraid of. Ballroom dancing isn’t one of them. Don’t be afraid to open yourself to new possibilities. The numerous benefits you’ll receive may shock you.

About the Author:

Honey WesleyRN, has been a lover of ballroom dancing for over 15 years and tremendously enjoys sharing her passion with others. For news and information about ballroom dancing as well as related links for ballroom dancing products, visit http://www.ballroom-dancing.blogspot.com


Want Something Different? Get Your Exercise From Ballroom Dancing!

Ballroom dancing may just be the answer you are looking for if you are not sure how to really enjoy your exercise program. You and your partner may very well enjoy the fun and thrill of ballroom dancing over any other kind of exercise! It is not among the most popular forms of exercise people become attached to and fit into their daily schedule. Nonetheless, it could be perfect for you.

There are dance competitions you can watch on television that include a huge number of styles . . . but it does not look easy on television, and it?s actually harder than it looks! But these are professionals in extremely difficult competitions, the fact is that ballroom dancing is pretty much put into a widespread category with one consistent similarity: couples dance. Around the globe, partner dancing is both a social as well as a competitive sport that requires practice and dedication. I also believe that certain types of couples dancing are too often ignored by the media, and would certainly be enjoyed more for spectators, students, and competitors alike. If ballroom dance is given the chance, it will undoubtedly flourish.

It feels good to be at a wedding, fancy party or any special event and know how to do more on the floor than just sway back and forth like a slow dance at the High School prom. However, there are some people who remember learning how to dance in school ? having ballroom dance be a central part of any special event, especially when a young man dated a young girl.

Dancing has not really become unpopular among High School students and young adults, but it is untrained, individualized and often very unimpressive. This is not to say that some individuals do not devote time and energy to complicated dance moves and have real dedication to practicing and dancing to many contemporary styles of music. Sadly, dancing today is not what it once was. This is why, when someone really knows how, ballroom dancing can make you the center of attention when the floor is open and the music plays, luring you to move your body along with it.

Anne Clarke writes numerous articles for websites on gardening, parenting, fashion, and home decor. Her background includes teaching, gardening, and fashion. For more of her articles on fitness, please visit americanfitness.net, supplier of high quality Gym Equipment and Weight Equipment.

SAVE YOUR BRAIN – BALLROOM DANCE!

by Archie Hazelwood of usabda.org

The Einstein Aging Study, summarized in the June 19, 2003 New England Journal of Medicine, found that ballroom dancing helps prevent dementia. Dementia in the study refers to both Alzheimer’s disease and vascular dementia. Vascular dementia is the second most common form of dementia after Alzheimer’s. The study included participants in six brain-stimulating hobbies – reading, writing for pleasure, doing puzzles, board games or playing cards, group discussions and playing music. The study also included participants in 11 physical activities including team sports, swimming, bicycling and dance. Dance was the only physical activity that benefited the brain. This was attributed to the cerebral rather than the physical aspect of dance. Researchers found that the relationship between the mind- stimulating effects of ballroom dancing, as well as in the above six types of hobbies, and the lowered risk of dementia remained strong even after they allowed for variables such as age, sex and education. Frequency of activity also was important! Subjects with scores in the highest third on the cognitive- activity scale had a risk of dementia that was 63 percent lower than that among subjects in the lowest third. We believe this emphasizes the importance of engaging in a regular program of ballroom dancing. The need to learn and remember numerous dance movements produces a constant and very beneficial challenge to the brain. The social aspects of ballroom dancing, the relaxation it produces and the joy of dancing also is involved. The sense of accomplishment and confidence acquired by successfully completing a dance with a partner are beneficial, as well. Fitness, both mental and physical, often begins with one’s state of mind. Mental acuity comes from mental exercise and if you’re ballroom dancing, you’re not sitting at home watching TV or feeling sorry for yourself. This applies to every one of all ages. Among mind-stimulating activities ballroom dancing is unique in that it also provides beneficial physical exercise. Many people have gotten the message. That’s why we see increasing numbers of people of all ages having the time of their lives on dance floors all over the country. They are receiving a double payoff, mental and physical.


Better Health: Benefits of Dancing
by Judith Paley, MD
The latest shortcuts to better health include dancing. If you’d sooner sit at Starbucks than go to the gym, read on below.

Dancing seniors duck dementia!

New York researchers are decreasing their risk of dementia by puzzling over 21 years of data on the daily activities of elderly residents of the Bronx. Doctors at Albert Einstein School of Medicine have come up with a mathematical equation relating “activity-days” with a decreased risk of losing one’s marbles, assuring researchers and old folks alike that their ongoing mental activity will pay off in extra years with agile brains.

This isn’t the first study that supports the “use it or lose it” theory of successful aging. However, it is the first one to follow the mental condition of the aged over a prolonged period of time. Shorter studies could not answer the question of which came first, the dementia or the inactivity. Scientists wondered if those persons who developed Alzheimer’s following years of decreased leisure time activity might not have suffered from the disease all along, which thus affected their ability to participate in challenging hobbies. Since testing demonstrates that cognitive deficits associated with dementia can be detected seven years before the official diagnosis, this study, conducted over two decades, eliminates the possibility that preclinical Alzheimer’s predated all those sit-and-do-nothing days.

Nearly five hundred old folks in the Bronx dutifully filled out questionnaires on their leisure time activities. These were categorized as cognitive activities (e.g. reading books, doing crossword puzzles, playing board games, or playing musical instruments) or physical activities (such as playing tennis or golf, swimming, dancing, or walking for exercise). One “activity-days per week” point was given for participating in any physical or cognitive activity on one day each week. Participants could earn a maximum score of 42 for daily mental pursuits (6 possible activities times 7 days) and 77 points for exercise activities (11 activities times 7 days). Except for dancing, the physical activities proved good for the heart but no boost to the brain.
On the other hand, a one-point increase in the cognitive-activity score resulted in a directly proportionate decrease in dementia risk. For example, a senior working crossword puzzles four times weekly was 47% less likely to become permanently puzzled compared to a colleague who just completed the puzzle in the Sunday edition.

While the authors agree that there are still more questions than answers on the subject of mental activity and Alzheimer’s protection, an accompanying editorial to the study in this week’s New England Journal of Medicine notes: “Seniors should be encouraged to read, play board games, and go ballroom dancing, because these activities, at the very least, enhance their quality of life, and they just might do more than that.”

Dancing With The Stars Cast!


Just one month until “Dancing With The Stars” returns with its new (and biggest) cast! Until then, I thought I’d give you the list of contestants and their partners, and my pick for the winner – though I reserve the right to change my mind!

Couple: Aaron Carter (pop star) & Karina Smirnoff

Why They’ll Win: I’m going to say they won’t. I think Karina will do a fine job making it appear that Aaron can tango, jive and samba. But there’s just something about this young pop star who hasn’t had much stage time of late (at least not with the kind of crowds this show draws). You can follow Aaron on twitter. You can follow Karina on twitter.

Couple: Natalie Coughlin (Olympic Champion Swimmer) & Alec Mazo

Why They’ll Win: Athletes tend to do well on this show. I think Natalie has the drive to win. Alec hasn’t taken home the disco ball trophy since season one, so I’m sure he wants one of those tacky things to complete the set. Unless Natalie doesn’t show any personality, I can’t imagine her not doing well. Then again, I’ve never seen her dance… You can follow Natalie on twitter.

Couple: Mark Dacascos (”Iron Chef”) & Lacey Schwimmer

Why They’ll Win: This is another couple I don’t expect to see in the contest for too long. A dancing Chef? Have you forgotten Rocco’s “moves?” Lacey’s a good dancer who hasn’t drawn a strong partner – yet. Maybe Mark will surprise me. I think I’d rather have him make me salsa than dance for me. You can follow Mark on twitter. You can follow Lacey on twitter.

Couple: Tom DeLay (former House majority leader) & Cheryl Burke

Why They’ll Win: I think this might be the couple! Not being sarcastic at all! “The Hammer” (as Rep. DeLay was known) says he’s danced before. Cheryl has taken the top prize twice. If anyone can push him, she can. Will he have enough hip action for Len? I don’t know. I’m fascinated by this pairing and a little bit worried. It could be uncomfortable – especially if he performs with an open shirt. No one wants to see a former lawmaker like that.You can follow Tom on twitter.

Couple: Macy Gray (singer) & Jonathan Roberts

Why They’ll Win: No. Not going to happen. Not in a million years. If they survive the first elimination round, I’d be shocked! If she dances like she sings, I imagine it’ll be all over the place and bouncy, which is fine if you’re judging elementary-aged kids at the school talent night. Not so good if it’s “DWTS.” I dare them to prove me wrong. TRIPLE DOG DARE!

Couple: Ashley Hamilton (actor/comedian) & Edyta Sliwinska

Why They’ll Win: Hold on. Ashley is a “comedian?” Does he joke about his dad’s constant orange glow? OK. I’m over the shock of that. I fully expect Ashley to embrace the show’s overwhelming spray tans and sparkles. I think Edyta will do her best to wear next to nothing to distract from her partner’s, um, lack of coordination/talent. I do not expect these two to make it to the finale. You can follow Ashley on twitter.

Couple: Melissa Joan Hart (actress) & Mark Ballas

Why They’ll Win: First of all, Mark has won this puppy twice. Second, Melissa was a witch! She could easily cast a spell on the judges AND the viewers to get their support. I give them a fair chance at surviving the first half of the season. I say that because I don’t want Melissa to turn me into a monkey or something. You can follow Melissa on twitter. You can follow Mark on twitter.

Couple: Kathy Ireland (model/entrepreneur) & Tony Dovolani

Why They’ll Win: Hmmm… Kathy is in pretty good shape and, from what I remember, she’s actually a bit athletic. I think she could do quite well. You can follow Kathy on twitter.

Couple: Michael Irvin (former NFL player) & Anna Demidova

Why They’ll Win: If Michael takes this as seriously as some of his peers, I think he could go all the way to the finals. This is Anna’s first season on the show. She won a competition on last season’s “DWTS” to become a pro on the show. She is incredibly tall and a great dancer. She’ll have to push Michael into dancer mode. If she can do that, they’ll be great. You can follow Michael on twitter. You can follow Anna on twitter.

Couple: Joanna Krupa (model) & Derek Hough

Why They’ll Win: Models always seem to look nice in the little sparkly costumes. As for their dance moves…well, not so much. Derek has won the show once before, so it’s possible he could make Joanna one heck of a dancer. I’m not holding my breath (especially after I just looked at her website – yowza!). You can follow Joanna on twitter. You can follow Derek on twitter.

Couple: Chuck Liddell (Ultimate Fighting Champ) & Anna Trebunskaya

Why They’ll Win: I’m not gonna lie. I’m afraid of Chuck. I’ll say he’s going to win it all!

Couple: Debi Mazar (actress) & Maksim Chmerkovskiy

Why They’ll Win: These two could be interesting. For some reason, I think Debi may be able to dance. If Maks does his signature open shirt during the first few weeks, they might generate enough votes to stick around for a few weeks. You can follow Debi on twitter. You can follow Maks on twitter.

Couple: Mya (singer) & Dmitry Chaplin

Why They’ll Win: This couple might surprise me. Mya has danced a bit in her videos, but those moves are not at all like the ballroom and Latin dances the couples are tasked with here. I’ll set the bar low for this couple so I’ll be easily excited when I see them dance. You can follow Mya on twitter.

Couple: Kelly Osbourne (reality show star) & Louis Van Amstel

Why They’ll Win: Nope. Don’t put any money on this one. Kelly is really shy and I think she’ll have a hard time being comfortable in this environment. I do applaud Kelly (and all the stars) for having the courage to tackle this beast of a show. Not that “DWTS” is hounding me, but I’d NEVER do it. Ever. Still, a chance to see Ozzy on the audience, cheering his daughter – that’ll be fun! You can follow Kelly on twitter. You can follow Louis on twitter.

Couple: Donny Osmond (entertainment icon) & Kym Johnson

Why They’ll Win: Puppy love? No. That’s not why they’ll win. OK. I don’t actually think they’ll win. I think Donny’s big fan base will get him to the finals (a la his sister, Marie), but I don’t think he’ll win. I fear many an awkward performance, which means I’ll watch his dances more than once for my own entertainment. You can follow Donny on twitter. You can follow Kym on twitter.

Couple: Louie Vito (professional snowboarder) & Chelsie Hightower

Why They’ll Win: Hmmm… Chelsie did get bull rider Ty Murray pretty far in the competition, so maybe she can do the same with Louie? I don’t know anything about this guy which could mean he’s either really good – or not. I’ll have low expectations and see if I’m slightly impressed after week one. You can follow Louie on twitter. You can follow Chelsie on twitter.

The show starts September 21. You can get a good look at the contestants and pros here. Let me know what you think in the comments section.

Broken News @ KSAT.com

Social Dancing – Art or Sport?


Social Dancing – Art or Sport?

by: Daniel Pittman

Recognizing that true objectivity for one’s passion and profession is impossible. I offer here my admittedly biased views on the status of social dancing. The status I refer to is not the amount, quality or style of dancing, but the valuation and classification of dancing in the minds of the public and the establishment. Social dancing (Ballroom, Latin or Country & Western) is variously classified by its proponents as a hobby or pastime, leisure recreation or entertainment, an art form, or a sport. Dancers generally accept that “pastime” (def – any activity that makes time pass agreeably) or “recreation” (def – a means or activity to refresh one’s body or mind) are apt descriptions, but hold firm in the belief that “art” and/or “sport” are more comprehensive and accurate descriptors. “Art” is defined as “the quality, production, expression or realm of what is beautiful – a field, genre, or category of this realm – a branch of study, especially one of the fine arts”. The last phrase introduces the crux of the difficulties for social dancing. I have been in contact with many private and government bodies devoted in whole or in part to the development and support of the arts. Although a staggering number of dollars are essentially donated each year to musicians, painters, sculptors, as well as to ballet, jazz and modern dance troupes, social dancing is not considered eligible, since it is not a “fine art”. I have been told by individuals who do qualify for “assistance” that they deserve funding since they practice arts which cannot support themselves through tuitions and performances. This struck me as equivalent to government funding for a manufacturer of 8-track audio tapes, justified by the lack of public demand for the product. Today there is a strengthening movement by dancers to have social dancing recognized as a sport, but there are significant hurdles to overcome here as well. “Sport” is defined as “an athletic activity requiring skill or physical prowess and often of a competitive nature”. Competitive dancing would certainly seem to fit the bill, but somehow falls short of the requirements of funding bodies as well as journalists and broadcasters. Were it not so ironical, I might find it amusing that rhythmic gymnastics and ice dancing are recognized Olympic competitive sports, while partnership dancing is not. On a brighter note, an international organization called Dancesport 2000 is currently lobbying the Olympic Organizing Committee for acceptance of competitive ballroom dancing as an Olympic demonstration sport – this is the same classification that freestyle skiing originally enjoyed before full recognition. Apparently progress is sporadic and slow, so don’t hold your breath, but it might help to keep your fingers crossed. Most often the acceptance of social dancing under either of the above categories is obtained only in the alternate camp – sport bodies decline dancing because it is an art form, and vice versa. The solution to the matter lies not in sanctioning from some august and obscure committee, but in the perception of dancing in the collective minds of the public. Any normal person readily accepts that golfing requires putting practice, tennis requires volleying practice, and martial arts require exercises and years of study, but dancing seems to be excluded from this philosophy. Many non-dancers are under the impression that one can become a proficient dancer through one or two quick classes. Students who have been taking lessons for 4 or 6 months often shock their friends, who can’t imagine that they haven’t learned how to dance in that time. This is not the case everywhere – in most of Europe everyone is introduced to social dance at an early age, and at least rudimentary dancing skills are taken for granted as much as common table manners. Dance competitions are commonplace and frequent, and thus dancing has gained public acceptance as an art or sport activity. Unfortunately North America has failed to adopt this attitude, especially, it seems, in western Canada. Here dancing is usually overlooked as a standard social grace or pleasurable and worthwhile pursuit, and mainly discounted as a skilled activity. If social dancing is to be recognized by the general public in what we deem an appropriate fashion, then the solution is simple – get it out to them and get them involved. In keeping with this spirit, I feel that the best thing that has happened to social dancing in years is the advent of Country & Western as a popular activity – not since disco has the public been so enthralled by partnership dancing. I further feel that since the establishment of C&W music and culture pre-dates the current fad, then it will avoid the latter’s ignominious end. We must encourage fledgling Two Steppers to fulfill their desires, but we also have the responsibility to help them make the most of the experience. We must try to guide them to learn not only the “coolest moves”, but how to enjoy the dance form to its fullest by endeavoring to seek quality instruction and to apply themselves to the development of sound dance skills. We must also encourage new dancers and even potential dancers to attend or support local dances and local competitions, such as the 90’s Ball, the Calgary Open Dance Competition and the Calgary Country Dance Stampede, since these functions are some of the most attractive and impressive showcases of social dance in our community. I also think that it is time for us all to make a conscious effort to do our part to overcome prejudices within the social dance community, to break down the barriers between the separate disciplines and combine and coordinate our efforts to the common goal – the establishment of social dancing within the collective social consciousness as a desirable and accessible activity, challenging yet rewarding, inexhaustible yet obtainable, and, of course, both an art form and a sport. So do your part – get out there and promote dancing! Read more: http://www.centralhome.com/ballroomcountry/social_dancing.htm#ixzz0RWzEVcN0


Snowboarder’s toughest new trick:  Dancing with the stars!

Posted Friday, Sep. 11, 2009

By CHAREAN WILLIAMS

cjwilliams@star-telegram.com

CHICAGO — Louie Vito has been practicing hard, four to six hours a day. But he’s not getting ready for his day job — snowboarding — but for prime time — Dancing with the Stars.

Vito began working with partner Chelsie Hightower on Aug. 21. The ABC show begins Sept. 21 with 16 contestants vying for the Season 9 title.

“Everything is pretty hard for me,” Vito said Friday, the second day of the U.S. Olympic Summit. “My snowboarding posture is not really great for ballroom dancing. I have to learn to keep my shoulders back, my head up, where in snowboarding my shoulders are forward, and I’m allowed to slouch if I want. Also, in snowboarding, you can do what you want. You can take a trick that everybody does and put your own trick, your own flavor, on it. But there, you have to do it that way. There is a correct way you have to do it. … That’s the hardest thing for me to kind of deal with.”

Vito, 21, is a two-time winner of the USSA Grand Prix Halfpipe Series. He hopes to do as well in the salsa and the fox trot.

“I’m interested to see what they think about me,” Vito said. “I’ve just got to remember that they’re probably going to be pretty harsh, because let’s be honest, I’m not really a ballroom dancing kind of guy. I’m going to try my best. It’ll be entertaining that’s for sure.

“I tell everyone, laugh at me all you want; I just need your vote.”

Why won’t men ask me to dance?


Why won’t men ask me to dance?
by: Tibor Kaldor
This is the foremost question many women ponder sitting bored at a dance event.

“Why do I have to wait for someone to ask me to dance?”

You don’t! Get up out of your chair, cruise the floor, make yourself visible, walk over to a likely man and ask, “May I have a dance.” Admittedly, for a woman, or even a man, this takes a bit of courage. The fact is every person at this event has come to dance. The likelihood is strong that that you won’t be refused. This is the rule: you must dance with someone who requests. You must dance at least one dance; it is simply polite.

However, there are a few polite excuses. Like “I am so sorry, I just refused that other person, and immediately I cannot accept from you. Anyways, I just danced 19 songs in a row, and I have to sit down for a second. Please ask me again later.”

When you receive a “yes, I would love to,” it’s an idea to introduce yourself. You could say “I’m just a beginner, so please be gentle.” Most men are flattered to be asked, and are pleased as punch to give the ladies a hand. On the other hand, most women are flattered to be asked, and are pleased as pansies to give the man a hand.

When you’re done, say thank you, and drag (escort) the lady back to her seat, unless she is grabbed en-route by some other eager man. If your dance with this person was not a particularly satisfying experience, resist offering advice, or if you really want to help, be brief. Try to be pleasant and even upbeat; recall your learning period. Avoid saying “Don’t ask me again, especially until you’ve learned how to step on the floor, not my feet”.

Beginner dancers are shy and embarrassed and therefore deterred from freely asking a stranger for a dance. It may feel comfortable and secure to always dance with your regular partner, but it’s like the blind leading the blind. As with any new experience, beginners must persevere to climb this platform and reach a higher level. Beginners should ask more experienced dancers because here they will find consideration and guidance. More experienced dancers should offer dances to starters in a spirit of mentorship. It builds confidence on both sides.

A dance is a social event. Make new friends, get acquainted, and arrange a rendez-vous. That’s a fancy word for dance practice. You’re not yet being invited to meet the parents. You’re being invited to assist the other person to facilitate the learning process at a workshop or an evening of dance. You will both benefit by being more competent and confident. This applies strongly to couples as well; when you meet another couple, dance with them.

If you are going to ask the other person on a dance “date”, advice for that is whole other subject. Dance patterns for a date event are the same, however tread carefully with the emotion patterns.

See you on the parquet. That’s a fancy word for “Enjoy dancing”.

by Tibor Káldor, Teacher
University of Calgary Ballroom Dance Club
Telephone 403-399-0123